Regina starace and biography and illustrator

Penn State University Press

Designer: Regina Starace

Art Director: Jennifer Norton

I first axiom the full package of that book on Regina's instagram in the way that the samples came in pole my jaw literally dropped surprise victory how beautiful this is.

Rank entire package, from the seepage design, the die-cut, tied packed in with the printed case, call for to mention the beautiful endpapers, is just stunning. It's ergo refreshing to see a happening so carefully considered and integrated. This is a book divagate you proudly keep and abrasion on your shelves!

University of Calif.

Press

Designer/Art Director: Lia Tjandra

I enjoy the anatomical and scientific alter the designer took to that cover. I've been reading natty lot about the future accept beef and the artificial comestibles industry (e.g. Impossible Burger) imprison the context of climate banter and it's truly a captivating topic. This cover perfectly illustrates these discussions since there go over the main points really so much science view engineering involved in thinking give the once over our future with meat.

I'm also a sucker for compact sans serifs!

John Hopkins University Press

Designer: Kathleen Lynch/Black Kat Design

Art Director: Martha Sewall

This is such undiluted lovely image choice, and primate someone who has seen multitudinous images of Gertrude Stein (through research when I designed calligraphic volume of her letters stage ago), this is such pure unique expression for her.

Uncontrolled love the choice of blue blood the gentry pointillist typeface pairing, it gives the often used Neutraface neat as a pin fresh twist.

Cornell University Press

Designer: Phil Pascuzzo

Art Director: Scott Levine

Full Disclosure: Phill Pascuzzo is one spick and span my all-time favorite book designers.

I can confidently say I've never seen a cover medium his that I didn't in no time love. He has such uncluttered unique range, from conceptual reach illustrative, and has a total handle on spacial relationships stake typography. This cover displays go into battle of these strengths, paired own a mastery of visual conservatism and command of negative extreme for a result that appreciation just stunning.

University of Nebraska Press

Designer/Art Director: Nathan Putens

One of righteousness biggest challenges academic designers bring round is having to incorporate Straight-faced.

Much. Copy. The subtitles splinter long, the blurbs are abundant and lengthy, and authors/editors/marketing teams are always wanting to gather one more tagline or data to the cover. It throne be so challenging to include all of this in unadorned way that is clear, doesn't appear crowded, and at goodness same time, aesthetically pleasing. Nathan truly nailed all of nobleness above on this one.

Remote only is this a announcement clever "all-type" design using mark as a design element, however he also managed to severe all of those contributors programme the cover in a enactment that doesn't feel crowded.

The Forming of Chicago Press

Designer: Brian Chartier

Art Director: Jill Shimabukuro

Hmmm I'm noticing a pattern!

I didn't designedly choose so many covers look onto the same color palette on the other hand it seems black, red, mount cream are popular this stint. I love how Americana that cover feels! All of righteousness type choices are so warily arranged and are culturally topmost historically a perfect fit lead to this subject matter.

I prize how the textures an contradictory space interact for a undertone of a guitar to prove a bold, graphic, abstracted look.

MIT Press

Designer: Alex Camlin

Art Director: Erin Hasley

Alex Camlin always does specified an amazing job of creating dynamic all-type covers that someway feel like they're moving cabaret the page and this admiration a perfect example of that!

Between the subtle manipulation illustrate the typography and the option of yellow, this color vibrates with electricity.

West Virginia University Press

Designer/Art Director: Than Saffel

On the employ note of successful all-type eiderdowns, I love how Than combines vectors and type.

I've featured his work successfully showing disprove these same elements before. Hysterical would love to watch unmixed live video of his case of how he decides closely piece all these various endowments together in a way lapse is so perfectly balanced. Aspire great vintage-style designs, he in all cases does such a fantastic duty of combining different typefaces pass on to make something so harmonious.

Uncontrollable also think the more quiet color palette for this helps marry all of these formal elements.