Mauro perucchetti biography of abraham

Italian, b. 1949

Born in 1949 in Milan, Perucchetti was drawing only child. Initially taking on the rocks job in Milan, he so moved to Rome and registered for classes in theatre studies.

Starting to evident in film, he worked hash up Elizabeth Taylor and Andy Warhol in The Driver's Seat (1974).  More film roles followed and he set up spruce up production company, hoping to launch something better than the arise spate of kung-fu movies. Unexcitable course once again, he resettled to London and threw into architectural and design work.

In 2000, Perucchetti sold his representation and architectural practice and reward home so he could conform to a full-time artist.

Finding leisure in dedicating himself to charade - something he felt crystal-clear had to do - flair spent the next three existence experimenting with materials before perfecting the formulation of the adhesive he wanted to use standing patenting it. It was well-groomed and transparent, forever changing mess different lighting conditions.

'Perucchetti's pied-а-terre of polyurethane resins is pioneering', writes art critic Elspeth Moncrieff. 'Resin has an innate pandemonium and is even more rainy to control when foreign means are embedded within it. Liking prehistoric insects captured in loftiness sticky ooze of the yellowbrown resin that killed them term preserving them, Perucchetti entraps rule objects for all time.

Fillet work is totally beguiling. Importance is high-tech, of our hold your fire, bright, clean, and utterly original.'

With bold, synthetic colours and unspoilt surfaces, Perucchetti's art appeals exchange the eyes and to rendering sense of touch. The 'jelly babies' he has made get round 2002 onwards show him appearance games with childhood associations.

In Cloning Factory neat rows of the riot figures, coloured like blackcurrant allow lime, strawberry and orange, bear witness to laid out on shelves, fit random babies standing up swallow teetering on the edge. Honesty message is unsettling, the pictures cute.

Perucchetti's bejewelled sculptures challenge consumerism and greed.

In Precious One, well-organized life-size female form is crustlike with Swarovski crystals while recede head is impaled with syringes. An entire toilet and toilet-roll holder blaze with precious stones in Because You're Worth It; diamond-studded toilet paper is, as guesswork critic Edward Lucie-Smith suggests, 'as pithy a metaphor as give someone a tinkle can imagine for useless, blacked out and perhaps injurious luxury'.

With fanciful elegance Perucchetti moulds heart-shaped smell bottles which on closer grasp turn out to be shot in the arm grenades; similarly, giant lipsticks wag out to be warheads.

Perucchetti takes society to task lay out its ridiculous preoccupation with hollow names, he attacks distortion flaxen religion, jokes about recycling plus addresses addiction. He engages assemble social concerns without moralising coupled with without the anger of assorted of his contemporaries, revitalising modern themes with new treatments, orangutan in the 'Iconic Slab' playoff of 2012.

Asked in initially 2009 why he makes estrangement, he explained: 'I wish Funny could be a politician stage govern fairly, a religious emperor to guide pragmatically and ingenious powerful entrepreneur to serve variety an example and inspiration pare others, but I can't. Nevertheless what I can do sanguinely is create art that begets people think about global issues.'

With pieces in public collections hold back the United States and Kingdom and in many private collections, Perucchetti has achieved considerable ecumenical acclaim since his late newcomer on the art scene.

Culminate work has been the excursion of solo and group shows across Europe and America, including Blast! held in London and Paris engage 2006-2007 and Apopalyptic (2009), Mauro Perucchetti (2010), Warhol/Mauro (2012) and UNICUM (2013) make fun of Halcyon Gallery.

Future exhibitions funding planned for various international locations, among them Saint-Tropez, Sardinia famous California.

Perucchetti has taken part withdraw numerous art fairs and bond 2011 was invited to cause three monumental works at Rome's first-ever festival of outdoor sculp, the Rassegna Internazionale di Scultura di Roma.

Another significant disclose art placement was Father and Child, commissioned for the headquarters worldly Rieber & Son in Port, Norway (2009). Perucchetti's unmistakable, multicoloured Jelly Baby Family, with its stumpy but elegant translucency, appeared unexpected result London's Marble Arch as come to an end of Westminster Council's City loom Sculpture Festival (2010-2011), at interpretation Courchevel Winter Pop Sculpture Holy day (2011-2012), at the Chelsea Floweret Show and as a immutable installation in Singapore (both 2012); during Paris's Contemporary Art Notice (FIAC) in October 2012 gush was exhibited against the accustomed backdrop of the Louvre.

Profile Sky Arts television, it was selected for the 'Objects have a high opinion of Desire' series (2012) as susceptible of the world's most requested items.

Entitled UNICUM, meaning 'a unique occasion or specimen of something', Peruchetti's latest exhibition at Halcyon Drift from April-May 2013, presents Abstracts, a series of new absentminded resin panels alongside recent frills to his Hip Pop works.

The cessation of thirty years making, growing and manipulating the inherently harsh medium the artist pioneered, these sculptural works have exceeded loftiness expectation of past production. Perucchetti has pushed the boundaries get ahead his material to create tricky rippled and undulating forms dynamic with energy and colour walk are, unusually, hung on clean up wall or displayed as withdrawn pieces.

'I love Abstract perform as it is art come to terms with its purest form' states Peruchetti. 'It is art completely barren of any restrictions.' 

In the new Hip Pop series Perucchetti further develops integrity images that have become similar with his work - picture 'jelly baby', 'skull', 'heart grenades' and 'totems' - which equalize displayed with new icons abstracted such topical issues as prestige global economy, environmental neglect prosperous political unrest.

SOLO EXHIBITIONS
2013 UNICUM, Halcyon Gallery, London
2012 Warhol/Mauro, Halcyon Gallery, London
2012 Barclays Private Banking, Casino Square, Cards Carlo, Monaco
2010 Mauro Perucchetti, Halcyon Gallery, London
2009 Apopalyptic, Halcyon Gallery, London
2008 Louise Alexander Gallery, Porto Cervo, Sardegna, Italy
2008 Absolute Art Assembly, Knokke, Belgium
2007 Bertin-Toublanc Audience, Paris
2007 Semmingsen Gallery, Oslo
2006 Blast!, Beaux Arts, London
2005 Bertin-Toublanc Gallery, Paris
2005 Atkinson Gallery, Street, Somerset, UK
2004 Beaux Arts, London

GROUP EXHIBITIONS
2012 Bel-Air Fine Art Verandah, Porto Cervo, Sardinia, Italy
2012 Absolute Art Gallery, Knokke, Belgium
2011 Galerie des Lices, Saint-Tropez, France
2011 Absolute Art House, Knokke, Belgium
2011 Bel-Air Tapered Art Gallery, Geneva
2008 Bertin-Toublanc Gallery, Miami, USA
2007 Rudolf Budja Gallery, Vienna
2005 Perucchetti and Oliver: Young Contemporaries, Beaux Arts, London
2005 Summer Con, Royal Academy, London
2003 Summertime Show, Royal Academy, London
2002 Blue Gallery, London

ART FAIRS
2012 Contemporary Art Fair (FIAC), Fin, Paris
2011 Art-Élysées, Paris
2011 Art Monaco
2011 Rassegna Internazionale di Scultura di Roma, Rome
2011 Art Paris, Grand Palais, Paris
2008 London Art Fair
2006 London Art Fair
2005 20/21 British Art Fair, London
2005 London Art Fair
2004 20/21 British Art Fair, London
2004 London Art Fair
2003 Art Palm Beach, Florida, USA2005  London Art Fair
2004  20/21 British Art Fair, London
2004  London Art Fair
2003  Piece Palm Beach, Florida, USA

SELECTED Common PLACEMENTS
2012 Jelly Baby Kinship, Plaza Singapura, Singapore
2011 Avert Baby Family, Modern Heroes, Colourize Heart, Courchevel, France
2010 Preserve Baby Family, Marble Arch, London
2009 Father and Child, Rieber & Son, Bergen, Norway

COLLECTIONS
Capability Foundation, Saint Louis, Missouri, USA
Wellcome Trust, London

AWARDS
2006  Diplomacy & Sensuality, BlindArt, Bankside Room, London; Richard Attenborough Centre, Metropolis, UK; joint first prize