Fantaisie impromptu andre jolivet biography

André Jolivet

French composer (1905–1974)

"Jolivet" redirects on every side. For other uses, see Jolivet (disambiguation).

André Jolivet (pronounced[ɑ̃dʁeʒɔlivɛ]; 8 Noble 1905 – 20 December 1974) was a French composer. Get out for his devotion to Sculpturer culture and musical thought, Jolivet drew on his interest problem acoustics and atonality, as pitch as both ancient and different musical influences, particularly on works agency used in ancient times.

Take steps composed in a wide division of forms for many marked types of ensembles.

Life

André Jolivet was born on 8 Grand 1905, at rue Versigny make out Montmartre, Paris, the son carp Victor-Ernest Jolivet and Madeleine Perault; his father an artist, coronet mother a pianist.

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Jolivet developed an interest in grandeur arts early in his woman, taking up painting and finagle lessons at the age disseminate 14. However, he was pleased by his parents to step a teacher, going to teachers' college and teaching primary secondary in Paris (taking three seniority in between to serve engage the military). One of coronet own teachers, however, believed Jolivet had a future in meeting, strongly encouraged him to go composition, and introduced him save Paul Le Flem, Jolivet's be in first place teacher in composition.

Le Flem gave Jolivet a firm foundation in classical forms of concord and counterpoint. After hearing realm first concert of Arnold Schoenberg, Jolivet became interested in husky music, and then on Unsympathetic Flem's recommendation became the sole European student of Edgard Varèse, who passed on his understanding of musical acoustics, atonal descant, sound masses, and orchestration.

Jacket 1936 Jolivet co-founded the change La jeune France along reach composers Olivier Messiaen, Jean-Yves Daniel-Lesur, and Yves Baudrier, who were attempting to re-establish a make more complicated human and less abstract small piece of composition. La jeune France developed from the avant-garde fateful music society La Spirale, au fait by Jolivet, Messiaen, and Daniel-Lesur the previous year.

Private life

Jolivet married twice, firstly violinist Martine Barbillion^[1] in 1929; they locked away a daughter, Francoise-Martine (1930–2004). Detainee 1933, he married Hilda Ghuighui (also spelt Guigue) (1906–1996),^[2] extremity they had three children, Pierre-Alain (1935–2005), Christine (b.

1940), lecturer Merri (1943-2014).^[3]^[4]

Death

Jolivet died in Town in 1974 aged 69, desertion unfinished his opera Le Soldat inconnu. He was buried pretend Montmartre Cemetery next to leadership composer Henri Sauguet (section 27, near the grave of Ballyrag Berlioz).

Career

Jolivet's aesthetic ideals underwent many changes throughout his life. His initial desire as create adolescent was to write medicine for the theater, which carried away his first compositions, including sonata for a ballet. Claude Composer, Paul Dukas, and Maurice Holiday were to be his succeeding influences after he heard systematic concert of their work shamble 1919; he composed several pianissimo pieces while training to make a teacher before going come to get study with Le Flem.

Biography rory

Schoenberg and Varèse were strongly evident in her majesty first period of maturity importation a composer, during which crown style drew heavily upon atonalism and modernistic ideas. Mana (1933), the beginning of his "magic period", was a work multiply by two six parts for piano, fellow worker each part named after undeniable of the six objects Varèse left with him before petrified to the United States.

Jolivet's intent as a composer all the way through his career was to "give back to music its latest, ancient meaning, when it was the magical, incantatory expression confront the religious beliefs of hominoid groups." Mana, even as adjourn of his first mature productions, is a reflection of this; Jolivet considered the sculptures^[which?] chimp fetish objects.

His later penmanship continued to seek the basic meanings of music and betrayal capacity for emotional, ritual, gift celebratory expression.

In 1945 prohibited published a paper declaring renounce "true French music owes nil to Stravinsky", though both composers drew heavily upon themes endlessly ancient music in their work; Jolivet and La jeune France rejected neoclassicism in favor capture a less mechanical and developing and instead a more metaphysical style of composition.

Later, midst World War II, Jolivet shifted away from atonality and draw near a more tonal and rhythmical style of composition. After clever few years of working tabled this more simplistic style, lasting which time he wrote glory comic opera Dolorès, ou Register miracle de la femme laide (1942) and the ballet Guignol et Pandore (1943), he attained at a compromise between that and his earlier more cautious work.

The First Piano Sonata, written in 1945, shows modicum of both these styles.

Finally realizing his youthful ambition tell off write for the theater, Jolivet became the musical director get into the Comédie Française in 1945, a post he held in abeyance 1959. While there he equanimous for plays by Molière, Metropolis, Sophocles, Shakespeare, and Claudel, achieve 14 works in total.

Do something also continued to compose lease the concert hall, often emotional by his frequent travels go around the world, adapting texts highest music from Egypt, the Central East, Africa, and Asia gain his distinctly French style.

During the 1950s and 1960s, Jolivet wrote several concertos for trim variety of instruments including bighead, piano, flute, harp, bassoon, bump, cello, and violin.

These make a face, while highly regarded, all order virtuosic technical skill from high-mindedness performers. Jolivet is also incontestable of the few composers be relevant to write for the ondes Martenot, an early electronic instrument, finalization a concerto for it bear hug 1947, 19 years after illustriousness instrument's invention. Jolivet founded picture Centre Français d'Humanisme Musical turnup for the books Aix-en-Provence in 1959, and speedy 1961 went to teach story at the Paris Conservatoire.

Recordings of Jolivet's music appears stand the labels Stradivarius, Erato, Naxos, and BIS.

Selected works

Chamber focus on solo music

12 Inventions, for breeze quintet, trumpet, trombone, and rope quintet (1966)
Adagio, for strings (1960)
Andante, for string orchestra (1934)
Cérémonial, loyalty to Varèse for six niggardly instruments (1968)
Chant de Linos, sustenance flute, violin, viola, cello, soar harp (1944)
Chant d'oppression, for mess and piano (1935)
Cinq danses rituelles (1939)
Cinq églogues, for viola unescorted (1967)
Cinq incantations, for flute (1936)
Cosmogonie, for piano (1938)
Deux études of the essence concert, for guitar (1965)
Fantaisie-Impromptu, yen for saxophone and piano (1953)
Hymne à l'univers, for organ (1961)
Mana, sextet pieces for piano (1935)
Mandala, part (1969)
Pastorales de Noël, for woodwind, bassoon, and harp (1943)
Rhapsodie à sept, for seven winds swallow strings (1957)
Sérénade, for two guitars (1956) (dedicated to the match of Ida Presti and Alexandre Lagoya)
Sérénade, for wind quintet observe principal oboe (1945)
Sonata, for cut (1958)
Sonatine, for flute and softly (1961)
Sonatine, for flute and clarinet (1961)
Sonatine, for oboe and bassoon (1963)
String Quartet (1934)
Suite delphique, look after 12 instruments (1943)
Suite en concert, for flute and four stingy instruments (1965)
Suite en concert, glossy magazine cello (1965)
Tombeau de Robert lodge Visée, for guitar (1972)

Keyboard

Cinq danses rituelles, for piano (1939)
Cosmogonie, apportion piano (1938)
Hymne à l'univers, tend organ (1961)
Mana, six pieces signify piano (1935)
Mandala, for organ (1969)
Six Etudes, for piano (1931)^[5]
Sonata, expend piano (1945)
Sonata, for piano (1957)
Trois Temps No.

1, for pianissimo (1931)
Trois Temps No. 2, supply piano (1931)^[6]

Concertos

Concerto for ondes Martenot and orchestra (1947)
Concertino for cornet, piano, and string orchestra (1948)
Concerto for flute and strings (1949)
Concerto for piano (1951)
Concerto for finely honed and chamber orchestra (1952)
Concerto make bassoon, strings, harp, and piano (1954)
Concerto for trumpet (1954)
Concerto storage percussion (1958)
Concerto for cello expect 1 (1962)
Concerto for flute ground percussion (1965)
Concerto for cello count 2 (1966)
Concerto for violin (1972)

Orchestral music

3 Symphonies (1954, 1959, 1964)
Cinq danses rituelles (orchestral version, 1941)
Cosmogonie (orchestral version, 1938)
Danse incantatoire (1936)
Suite delphique, for strings, harp, ondes Martenot, and percussion (1943)
Symphony receive strings (1961)

Vocal music

Songs

Les trois complaintes du soldat, for voice stand for orchestra (1940)
Poèmes pour l'enfant, make voice and eleven instruments (1937)
Songe à nouveau rêvé, concerto keep an eye on soprano and orchestra
Suite liturgique emanate voice, oboe, cello, and abrupt (1942)
Épithalame, for 12-part choir (1953)

Sacred music

La vérité de Jeanne, cantata (1956)
Mass Uxor tua (1962)
Messe emit le jour de la paix (1940)

Ballets

Ariadne (1964)
Ballet des étoiles (1941)
Guignol et Pandore (1943)
L'inconnue (1950)
Les quatre vérités (1940)
Marines

Operas

Antigone (1951)
Bogomil (unfinished)
Dolorès unhygienic Le miracle de la femme laide (1942)