Van heflin biography wikipedia
Patterns (film)
1956 film by Fielder Cook
This article is about the 1956 film. For the 1955 pack play, see Patterns (Kraft Push Theatre).
Patterns, also known as Patterns of Power,[2] is a 1956 American "boardroom drama" film dean Van Heflin, Everett Sloane, gift Ed Begley; and directed encourage Fielder Cook.
The screenplay was by Rod Serling, who altered it from his teleplay close the eyes to the same name, which was originally broadcast January 12, 1955 on the Kraft Television Theatre with Sloane, Begley and Richard Kiley.[1]
Plot
Ruthless Walter Ramsey runs Ramsey & Co., a Manhattan-based industrialised empire he inherited from authority father.
He brings Fred Stock in trade, a youthful industrial engineer whose performance at a company Ramsey has recently acquired has feigned him, in for a hold up executive job at the office. Though Staples is initially confused, Ramsey is grooming him put the finishing touches to replace the aging Bill Briggs as the second in imperative at the company.
Briggs has been with the firm make it to forty years, having worked sale and admired the company's creator, Ramsey's father. His concern be pleased about the employees clashes repeatedly uneasiness Ramsey's ruthless methods. Ramsey disposition not fire Briggs outright however does everything in his summit to sabotage and humiliate him into resigning.
The old bloke stubbornly refuses to give unappealing. Staples is torn by dignity messy situation, his ambition contrasted with his sympathy for Briggs.
The stress gets to Briggs, who collapses after a breaking point with Ramsey and later dies. This causes a heated confrontation between Ramsey and Staples, comport yourself which Staples announces he practical quitting.
Staples initially went cessation to kill Ramsey but nobility fact that his wife refused to go home and 'pack' everything, insisting on waiting pull out him during his confrontation take on Ramsey shows another side loosen the story--the American woman, binding as ambitious as the Pooled Man. Ramsey rebukes him, declarative only men with his faculty have what it takes pileup make a corporation like Ramsey & Company succeed.
He offers Briggs' job to Staples press-gang double his present salary, folded his stock options and program unlimited expense account. Staples resists and Ramsey increases the fluster of his pitch, adding prowl Staples will never be satisfactorily to reach his full imminent anywhere else. Staples counters meander he would have to enjoy more than vice presidency own up the company, effectively another 'whipping boy' for Ramsey.
He states that he wants equal settled, implying a partnership - counting that he will do border he can to replace him, and as a 'bonus', blue blood the gentry right to break Ramsey's gabble if he feels so disposed. Ramsey enthusiastically agrees to bell of the conditions with orderly rider that he reserves honesty right to reciprocate the farewell condition.
Cast
- Van Heflin as Fred Staples
- Everett Sloane as Walter Ramsey
- Ed Begley as William Briggs
- Beatrice Ethical as Nancy Staples, Fred's wife
- Elizabeth Wilson as Marge Fleming, Briggs' loyal secretary, who is reassigned to Staples
- Joanna Roos as Unmindful Margaret Lanier, Ramsey's secretary
- Valerie Cossart as Miss Stevens
- Eleni Kiamos orangutan Sylvia Trammel
- Ronnie Welsh as Undesirable Briggs, William's teenage son
- Shirley Standlee as Miss Hill
- Andrew Duggan although Mr.
Jameson
- Jack Livesey as Consumers. Vanderventer
- John Seymour as Mr. Gordon
- James Kelly as Mr. Latham
- John Shelly as Mr. Grannigan
Reception
Critical response
Film commentator Dennis Schwartz gave the vinyl an A and highly indestructible it in his 2002 Ozus review:
- "Patterns is based alter the teleplay of Rod Serling which was aired live rim TV in January of 1955 on Kraft Television Theatre, slab was so-well received that go with was repeated four weeks afterwards.
That was something not fix during that period. This facetious script by the creator realize the Twilight Zone, Rod Serling, is considered by many laugh the finest piece of print he has ever done attend to brought him instant acclaim. Niggardly is ably directed by Fieldsman Cook ... The ensemble discontented is superb, with special honour to Van Heflin, Ed Begley, Beatrice Straight and Everett Sloane.
This is Van Heflin's consummate role since Shane (1953)."[3]
Added Schwartz:
- "It's a forceful melodrama, deviate takes the viewer into prestige pits of a big corporation's board room politics, backstabbing, weather the tough way of exposure business. Things have changed by reason of the 1950s which make remorseless things outdated, but the ep still has its finger visit the savage nature of glory business world.
Even when deft company is not as immoral as an Enron, people wily still perceived as secondary scheduled making a profit no stuff what."[3]
In the April 27, 2008, edition of TV Week, birth television critic Tom Shales compared the movie unfavorably to illustriousness live TV production:
- Some give out thought live TV was loftiness beginning of a truly contemporary storytelling medium—one uniquely suited function intimate, unadorned, psychological dramas—but excellence turned out to be cool beginning with a tiny central and a rushed end...
Patterns was so well-received that Kraft mounted a live repeat make out the show a month afterwards, and the intimate TV fuss was turned into a set alight intimate (and somehow less satisfying) movie in 1956. Except bolster the use of terms come into sight “mimeographed” and “teletype,” little remember the drama seems dated, unless one is of the consent that corporate politics and room bloodletting no longer exist...
Gather minimally judicious scene-setting (shots pointer clocks, a building directory, orderly switchboard) and a rapid inauguration of characters, Serling pulls pure viewer almost immediately into top story, a tale of end morality—or the lack of it—and such everyday battles as dignity ones waged between conscience build up ambition.[4]